Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts

04 December 2012

The Mystery of Castello dei Conti Ubertini

Castello dei Conti Ubertini...what were you?


Heading into the Casentino Valley via the twisty-turny Strada Provinciale 60, shortly after the hamlet of Chitignano is a narrow, dirt one-way road on the left with a rusted yellow sign next to it. “Castello dei Conti Ubertini Sec XII” it intones. A castle, 12th century...what’s not to like? Down the lane after about 100 meters is an open field and the rambling hulk of the castello, bordered by green and yellowing trees. Not the classic form of a castle, per se, but rather a pile of irregular rectangular stone boxes stacked helter-skelter. Old yes, twelfth century, perhaps, somewhere. But what I see is a contagion of styles and centuries. What it was, is clearly not what it is.

 Castello dei Conti Ubertini...what are you?

On the southern perimeter is an old wall and perhaps a ditch. Was this part of some long-lost defensive design? On the north side the narrow ribbon of a lane continues, cast in shadow by the tall, overgrown trees and the looming outer façade of the structure. Structures with a plural ‘s’ is likely more accurate as there are clearly multiple buildings that have grown together in some organic though seemingly chaotic fashion. Walking up the lane and into the shadows, heavy fortified windows peer downward whilst higher, mounted on a decoratively curving upper wall, stand six to seven Renaissance figures. The angle is so acute that I cannot guess whether the figures are male or female, filled with gaiety or glowering with menace. They are just there and probably have been for some 400 years.

Castello dei Conti Ubertini...what are you?

Passing through the stalwart portal, the light goes dim as the think walls shield from sun and arrows alike. On the inside are gun ports offering a wide range of fire on potential hostile guests. Into the main courtyard — for clearly that’s what it was — I can now see how complete the transition has been from ancient castello to working villa. There is a barn-like structure to the west, on the brow of the hill and the portal I passed through is now part of three story living quarters. What affairs — both intimo and politico — have been conducted behind those green shutters? Did troops mill about or bivouac under smoky fires in this courtyard? Did clerics argue and prattle on about holy business whilst enjoying the Tuscan sun and perhaps a glass of the local quaff? The main entrance lays before me: a heavy brown door, protected by a gun port, a door bell, and above, a belfry. No Proprietà Privata or the even more ubiquitous Attenti al Cane signs decorate the castle walls, so I feel free to loiter and linger a bit longer. Treading back down the lane whilst the blustery wind kicks brown leaves into mini whirlpools, I can only wonder...

Castello dei Conti Ubertini...what were you?

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With roots extending over a millennia, the castle is recorded to having belonged to the Count of Chiusi (an old Etruscan town) in the early 13th century. In 1262 it passed into the control of the Counts of Ubertini. Ghibelline supporters of the Holy Roman Emperor, they were defeated at the Battle of Campaldino in 1280 by the Guelph (supporters of the Pope) Florentine forces and the castle (and much of the Ubertini possessions) passed to the Bishop of Arezzo and the Guidi family of Florence. The castle was restored (modernized) in the 16th century and though it is now privately owned, with prior arrangements it may be toured.

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21 September 2010

Travels with Non-Photographers

Generally, I take three types of photography trips: solo, with one or more photographers, or with my patient and long-suffering wife (who is decidedly not a photographer).

The first type of travel is easy: I do what I want, when I want and take as much or little time as I wish doing it. The down-side is that if you are rut-prone, you may stay in it longer than think, not even realizing you have a wheel or two in the ditch.

Traveling with other photographers can introduce compromise into your schedule and subject matter. But that is often leavened with the opportunity to sound new ideas, bounce concepts off of each other and try things you might never have thought about. In other words, you may find yourself pulling out of that rut. Good traveling companions are important though. Stubbornness is rarely a virtue in a group. Patience is though, as photographers understand each other at least enough to know that good image making takes time and perseverance.

My wife...what can I say? She is the ever-patient photo-widow one could only wish for. She understands that I need the time and space to make my images. She also understands that sometimes it may be best for her to not venture out for those late evening Provençal village strolls or a sunrise on the Charles Bridge. She knows that I will be taking just a bit more time than she wants to give, and I understand that. During the day she slowly sight-sees and I slowly capture my scenes. Occasionally she'll swap a camera out of my pack or hold my tripod for me. I will occasionally say, yep, that's a nice ceramic plate...buy it. It's a good partnership.

But what about traveling with a mass of non-photographers? Sounds like a recipe for frustration, non? It can be but like most things, it is all in how you manage it. I got a full dose of that recently when my wife and I traveled to Provence to celebrate our 25th wedding anniversary with 19 other people...non-photographers mind you. Oh sure, there were a lot of cameras, and even two other DSLR users, but no one else (crazy enough) trying to make a living at photography!

So, did it work out? Did I get frustrated? Yes and almost never. The trick was to let them do their thing and I would do mine and we'll meet in another hour or two (or more). C'est parfait! I got to wander narrow medieval cobblestone alleys or shadow-ridden Roman corridors with my only constraint being to meet the others at a certain time. I can work with that. The time allotted was not always enough, but usually that had to do with the overall day agenda that I (fortuitously) set. Often I was a bit aggressive in estimating what we would be able to cover in full, busy day. But, we made adjustments as needed. Waiting for folks does try one's patience, but I can honestly say that I waited for others as seldom as they waited for me. A reasonable approach and attitude begets a satisfactory outcome...n'cest pas?

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